El cobrador: RUBEM FONSECA: Books – El Cobrador: RUBEM FONSECA: Books – O Cobrador has ratings and 31 reviews. karen said: i swear, i am the queen Rubem Fonseca’s Rio is a city at war, a city whose vast disparities- in wealth.
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O Cobrador by Rubem Fonseca
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Which is to say these inky black, spare stories are profoundly unsettling in more than one way. Also, I would really appreciate it if you would purchase this book, since it would benefit Open Letter directly. And it doesn’t mean that we can pat ourselves on the back and go to sleep at night telling ourselves we’re good people either just because we’re appalled at the criminal acts and wanton disregard for life found within.
Published by Companhia das letras first published I’m not sorry I bought it. Jan 13, Jumo rated it it was amazing. Todos escritos en primera persona. This is a strange little connection, with some really varied kinds of stories here– I’d like to believe that’s because it’s not an organic collection but instead a group of stories from different points in Fonseca’s career, slapped under one cover because they were all translated by the el cobrador rubem fonseca guy.
A lei de Lem. To ask other readers el cobrador rubem fonseca about O Cobradorplease sign up. Things got violent again in Happy New Year ; Dwarf is about an unemployed bank clerk with woman trouble; and Flesh and the Bones didn’t make much sense to me.
In El cobrador rubem fonseca of the Marquees a lonely man tries to help homeless derelicts with dire consequences. Nov 21, Carolina rated it liked it. Even though, he refuses to do interviews and is el cobrador rubem fonseca very reclusive person, much like Thomas Pynchon, who is a personal friend of Fonseca.
El cobrador – Rubem Fonseca – Google Books
Y ese mero hecho es valioso. I hope I’m correct in putting Mr Fonseca in this category. Then there are stories like The Book of Panygerics, which have similarly disturbed characters what did the narrator do to make him on the lam?
Un asesino en el cobrador rubem fonseca, de Ngaio Marsh. No trivia or quizzes yet.
Comprados en un kiosco. Goodreads helps you keep track of books you want to read. In fact, if you I suppose it might ccobrador a bit of a cliche to write that any given book is a tour de force of el cobrador rubem fonseca genre, but dammit if that doesn’t fit the bill for this one.
rjbem That project didn’t quite pan out, but I did finish el cobrador rubem fonseca amazing little book. Lo importante no es el precio, sino el valor de las cosas. With material such as this one reaches a certain point where the author is either enjoying himself, granting himself the powers to kill and rape in a fictive universe, or there is somethin El cobrador rubem fonseca authors show you disturbing images of murder and rape and horror with absolutely no remorse or mercy because Eleventh of May is the name of a terminal facility for the aging.
Um dos melhores e mais brutais livros de contos que li. Rubem sabe o que diz sempre, e tem o el cobrador rubem fonseca certo. In the stories of The Taker, rich and poor live in an uneasy equilibrium, where only overwhelming force rube maintain order, and violence and deception are essential tools of survival.
Dioses, tumbas y sabios, de C. Girl Genius for Friday, July 27, Llibres i poemes a estones. Funny ruem he was a cop then, in Brazil mind you, cobracor real life.
Comentarios de primera mano de un lector frente a la obra. La pluma y La espada. It is both funny and sad. Death is all over the place, and is handled with breathtaking casualness.
Notebook is a tale of seduction, fonnseca an amusing twist. Another GoodReads reviewer of this book is correct to say that one story was even like a bad Twilight Zone episode.
His writing is pretty dark and gritty, el cobrador rubem fonseca with violence and sexual content, and it usually happens in a very urban setting. It left me feeling confused, and less sure about what I was reading. No me esperaba el cobrador rubem fonseca.
El gato y la luna. The stories are either pointless or predictable, though I did appreciate Fonseca’s deadpan representation of anger and violence among the Brazilian poor.